6/11/2023 0 Comments Hip hop bootleggers downloadThis thesis examines the ways in which digital technologies were shaped by analog ones, as well as how and why analog formats persist in an era of digital networks. ![]() ![]() By simultaneously identifying new cultural practices that are dependent on pure copying and resurrecting histories of media use, I critique the rhetoric of remix and participation as common tropes in digital discourse. I show that a focus on an artifact’s status as a copy-an object that can be said to be the same as other things-can illuminate our understanding of the cultural changes associated with digital and network technologies. Specifically, it identifies and critiques the influence of recording formats qua copies in the history of three forms of composition in popular-music culture-remixes, disco edits, and MP3 blogs-to ask how something that is just the same can bring something new into being. ![]() What roles do media technologies, artifacts, and users play in cultural change? This dissertation focuses on the shift from analog to digital media and concentrates on the role played by copies and replication in both systems of representation to identify and analyze material practices and rhetorical claims about their cultural influence.
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